Enola gay song video
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The first time you hear it, it just hits you in the face.
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“The Fontaines, Just Mustard, The Murder Capital – even Idles said it themselves. But still, their admiration for Dublin’s Girl Band is absolute. They’ve been thinking hard about rebellious acts that have been tamed and “pigeonholed” and want to avoid those historic mistakes. They enlisted a new bass player, Adam Cooper, last May. They’ve been testing out new “sonics” and equipment. They say they have tried to fetch some positives out of the lockdown experience. You just put a mirror up to yourself and everything around you. Not everybody’s gonna like that, but you do. This is basically life advice, but to be as authentic as possible. We were, ‘let’s do stuff that we would actually want to listen to’. He recalls that the early band get-togethers were all about determination and self-reliance. Joe has the riffs, the concepts and the method. Fionn speaks less but with weight and emphasis. They talk earnestly about “being honest with yourself”. Joe and Fionn first met properly at a Chemical Brothers gig in 2016. It’s drawing that parallel on so many levels.”įionn: “It’s also drawing parallels with Irish culture. And then a hundred years later, you had President Donald Trump telling white supremacist groups to stand back and stand by, when asked to denounce them. The President at the time (Woodrow Wilson) had a private screening in the White House. A film that was made over a hundred years ago. And that was just echoing the plot of that film. They were portraying black males as thugs. Joe: “It’s drawing a parallel between how media was portraying things. It was a depiction of the Civil War, the Reconstruction and the Ku Klux Klan. The title for America’s first film feature had originally been The Clansman. Joe: “As Imelda May said, perfectly, you don’t get to be racist and Irish.”Įven more contentiously ‘Birth of a Nation’ had stolen its title from the 1915 film by D.W. “It was written out of frustration,” says vocalist Fionn Reilly. She was vilified online and it was at that moment I thought, I wanna write about this.” They didn’t care that she had been raised around this environment that made her feel unwelcome. All they cared about was that line about the Union Jack. This video was then cut down and it was spread about by hate groups. A friend of mine was filmed, sharing her experiences as a young black woman growing up here. “That song originated from the City Hall protest.
#ENOLA GAY SONG VIDEO PLUS#
Spirit of Chuck D, fury of Zack de la Rocha plus strains of inflammable Irish punk. Their new song was called ‘Birth of A Nation’. They were furious that a poet with South African roots, living in Portadown, should have been demonised for her words while a hip hop crew from West Belfast could say the same thing with little censure. They sang about George Floyd and the distress of Irish history. They considered the patriotic backlash and the raw grievances.
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Video clips were swiftly dispatched on social media and due uproar followed.Īnd so Enola Gay wrote about the many contradictions of the moment. On both occasions a BLM refrain had been raised: “there ain’t no black in the Union Jack”. Three days before, a crowd had gathered outside the City Hall with the same intent. The mood was a composite of rage and frustration. The public space was marked out in socially distanced boxes but still the law handed out fixed penalty tickets and Community Resolution Notices. Hundreds of protesters made their case at Custom House Square on June 6. I don’t remember a witch hunt for KneecapĬourse not – ’cause they’re not fuckin’ black.”Īn intense song came out of the Black Lives Matter demonstrations in Belfast last June. “I hear them say, get out of their countryįrom the same ones who owe us six counties